Writing Companions

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Nero, my furry baby, has gone through a lot, but here he is by my side, on the couch. He’s only six years old and the sweetest beagle you can imagine. I write everyday while petting him; it gives me peace beyond comprehension and he makes me smile. Nero shadows me wherever I go, and, if he feels I’m upset he nudges his big, snoopy-like nose against my leg. Life is definitely better if a dog adopts you.

Beagles on a cover

Progetto Luka Concept Art

 

 

 

 

 

 

 

 

 

Last year, I wrote a short story about a boy and two beagles, and Alessandro, my favorite cover artist, worked on the concept art for a possible graphic novel based on it. This was the very first drawing for the cover. The project has been put on a hiatus for the time being, but Alessandro’s art deserved to be properly showcased.

Writing Companions

Ginecea City

Alessandro doesn’t sleep at night, which works great for me since he’s creating some serious art.  In the last two or three weeks, we went back and forth talking about what I wanted to be represented on the cover for Pax in the Land of Women. I asked for a mix of ancient ruins and modern buildings, and then I gave him free reins. Fresh from his tablet here is the concept for Ginecea City. Stunning, right?

Ginecea

Ginecea City

Pax’s Concept Art

Alessandro Fiorini, the artist behind The Priest’s cover, is working on the concepts for Pax in the Land of Women, second installation in The Ginecean Chronicles. He sent me the first image a few hours ago, and, as usual, I was extremely happy with his work. What do you think? Isn’t he great?

Pax 1

Pax’s Concept Art

The Morning After

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(flash fiction inspired by Alessandro Fiorini’s painting Tradita*)

He’s coming, she thinks, looking outside. The breeze from the shore caresses her face. The sun is rising high in the sky; soon will be too hot to leave the windows open.

He’s coming. The sheets lie crumpled at her side as a sea of stormy thoughts. The perfume she had carefully donned is wafting away. Nearby, a gate opens and closes, rusted hinges breaking the morning silence.

He’s coming. She blinks, once, twice, refusing to move. Her eyes are growing tired to stare at the ever-moving, liquid surface, now busy with colorful boats coming back to the marina. The tempest has come and gone, leaving behind a trail of waste marring the once-beautiful blue. She focuses her attention on a piece of floating wood. Her heart skips a beat. Tears fill her dark eyes.

He’s coming. She knows, joy finally descends upon her. The piece of wood is just such. A familiar shape fending through the crowded water commands her attention. The small boat seems to fly over the waves, sending the debris away in its wake, a bright light intermittingly flashing a love letter.

“I’m coming home,” it says. She smiles and closes the window.

 

*Although the original title of the painting means ‘betrayed’, while I was writing this piece I thought that the lovely woman in the picture deserved a happier ending. There is something about her and the light surrounding her that compelled me to write something permeated by hope.

The Morning After

The Priest Is On (the cover, at least)!

Sandro’s website is up and running. Take a look!

I am thrilled with Sandro’s art. He is talented, and professional. I don’t think I could ask more from him, although I tried…

The Ginecean series is on its way to publication. The Priest is currently waiting for the final foolproof editing, Pax in the Land of Women is in the editor’s hands, and I am trying to write the final chapter, Pax at War. I am experiencing a few problems with the writing part, the fool-proofer is taking a mental vacation, and the editor is dealing with her daughter’s illness. All in all, a mess! But, comes September 1st, The Priest will be published. I had to put it black on white. Now, I can go back to painting murals on my parents’ house.

The Priest Is On (the cover, at least)!

Cover Frenzy (the cover journey VIII)

Sandro is starting to work on Pax’s cover, but he still has some energy to play around with The Priest’s.

The Final Frontier (aka cover # 15)

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Sandro fixed few little details out of place (a white spot under Mauricio’s ear, and a juxtaposition line on his neck), and I asked for the sun on the horizon. Roberto doesn’t like the sun centered, he prefers it by the side. Maybe behind the City of Men?

Cover 15A

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Different font for the title

Banner#3

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Thumbnails

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My final requests are: Sun centered by the side, my name bigger, and the shadow under the title. And then, that’s it!

Cover Frenzy (the cover journey VIII)